基本資料表
教師
音樂學組
教授
音樂史、美學
澳洲墨爾本大學博士
郭瓊嬌持有墨爾本大學音樂學博士。目前任職於國立中山大學音樂學教授，致力於教學及國際專業期刊與書籍出版。研究領域集中在二十世紀末至二十一世紀，如曾出版之研究論文領域包括：女性音樂、彼得·馬克斯韋爾·戴維斯(Peter Maxwell Davies)、約翰·亞當斯(John Adams)、阿爾弗雷德·加里耶維奇·舒尼特克(Alfred Schnittke)、丹尼爾·貝爾納·羅曼(Daniel Bernard Roumain)……等。個人重要著作有《追蹤節奏的痕跡：美國音樂與西方音樂的融合》(Tracing the Beats: The Fusion of American Vernacular and Western Art Music)、二十世紀末至二十一世紀初女性綺麗豔彩之音(The Kaleidoscope of Women’s Sounds in Music of the Late 20th and Early 21st Centuries)。
目前於中山大學大學部及研究所之授課領域包含美國音樂史、音樂美學與批判、現代音樂、西洋音樂史、音樂研究導論、西洋音樂史總論及其它。同時間透過積極於校內舉辦多場國內、外音樂學術論壇(如 2015年 台灣音樂學論壇及2020年國際音樂學術研討會)來提升學生發表的機會以及與眾多學者交流精進的經驗。
著作目錄/Publications
(一)有審查制度專書
• The Kaleidoscope of Women’s Sounds in Music of the Late 20th and Early 21st Centuries. UK: Cambridge Scholars Publishing, 2015. (ISBN: 978-1-4438-7652-0)
• Tracing the Beats: The Fusion of American Vernacular and Western Art Music. Kaohsiung, Taiwan: National Sun Yat-sen University Press, 2012. (ISBN: 978-986-86641-6-6)
(二)國外有審查制度的期刊論文
• “Vocal-Instrumental Style in Judith Lang Zaimont’s The Figure String Quartet” Musicologica Olomucensia 28 (December 2018), 82-102.
• “‘Open Form’ in Naxos Quartet No. 10 of Peter Maxwell Davies” Quadrivium. Revista de Musicologia 9 (2018), 1-13. http://avamus.org/ca/quadrivium/ (RILM)
• “Gubaidulina’s String Quartet No. 4: Recreation of Traditions in a New Musical Context” Revista Per Musi, vol. 38 (2018), 1-13. https://seer.ufmg.br/index.php/permusi/issue/archive
• “Stylistic Synthesis in Libby Larsen’s Evening in the Palace of Reason” Czech and Slovak Journal of Humanities – Musicologica 2/2017 (August 2017), 70-85.
• “Peter Maxwell Davies' Interpretation of Past Musical Practices in Naxos Quartet No. 8” Musicologica Olomucensia 24 (December 2016), 47-62. (RILM)
• “Judith Weir’s Instrumental Music as Description” Revista Per Musi, vol. 33 (Jan-Apr., 2016), 59-78. https://seer.ufmg.br/index.php/permusi/issue/archive (RILM)
• “Binary Opposition and Synthesis in Tower’s String Quartet No. 2” Opus, vol. 20, no. 1 (June, 2014), 117-136. (RILM)
• “The Structural Fragmentation in Zwilich’s Millennium Fantasy” Revista Brasileira de Música, vol. 26 no. 1 (Jan-June 2013), 173-188. (RILM)
• “The Crossed Boundaries in Musical Culture between Asian and Western World” in Asian Culture(s) in the Context of Globalization. Ed. by I-Chun Wang and Li Guo. CLCWeb: Comparative Literature and Culture, 15.2 (June 2013), article 19. (AHCI)
• “Baroque-Minimalism in Adams’s Violin Concerto” Tempo 66, no. 260 (April, 2012), 23-33. (AHCI)
• “Reel Tracks: Australian Feature Film Music and Cultural Identities, ed. Rebecca Coyle” (Review) Journal of Film Music, vol.3 no.1 (2010), 79-83. (MLA)
• “A Reflection of Moment Form in Gubaidulina’s String Quartet No. 3” Theoria 11 (2004), 109-124.
(RILM)
(三)國內有審查制度的期刊論文
• “The Light Style of Peter Maxwell Davies’ Mavis in Las Vegas” Kuandu Music Journal, vol. 27 (July, 2018) 53-75. 《關渡音樂期刊》第二十七期
• “The Musical Styles in Zwilich’s Double Quartet for Strings” NCUE Journal of Humanities, vol.7 (March, 2013), 77-91. 《國立彰化師範大學文學院學報》第七期
• “The ‘Cambiata’ Motive and Cyclic Form in Schnittke’s 4th String Quartet and 3rd Piano Sonata” Sun Yat-sen Journal of Humanities 24 (Summer 2007), 25-40.《中山人文學報》第二十四期 (MLA)
(四)其他國內期刊論文
• “Sofia Gubaidulina: Dualism and Unification in String Quartet No. 2” The Shiwan Journal of Arts, vol. 5 (2009), 121-138.《西灣藝論》第五期
(五)有審查制度專書章節
• “Daniel Bernard Roumain: The Fusion of HipHop and Art Music in String Quartets” in Musical Islands. Edited by Elizabeth Mackinlay, Brydie-Leigh Bartleet and Katelyn Barney. UK: Cambridge Scholars Publishing, 2009, 327-343.
(六) 國外有審查制度百科全書
• “Indonesia,” Hip Hop Around the World: An Encyclopedia. Ed. Melissa Ursula Dawn Goldsmith and Anthony J. Fonseca. California: ABC-CLIO Greenwood, 2019, 343-345.
• “Malaysia,” Hip Hop Around the World: An Encyclopedia. Ed. Melissa Ursula Dawn Goldsmith and Anthony J. Fonseca. California: ABC-CLIO Greenwood, 2019, 444-445.
• “Taiwan,” Hip Hop Around the World: An Encyclopedia. Ed. Melissa Ursula Dawn Goldsmith and Anthony J. Fonseca. California: ABC-CLIO Greenwood, 2019, 685-686.
(七)有審查制度的學術會議論文發表
• “An Evening in the Palace of Reason with Bach and Fritz: Libby Larsen and the Royal Theme” presented at the 2017 Hawaii University International Conferences on Arts, Humanities, Social Sciences and Education, at Hawaii University, Honolulu, Hawaii, January 3, 2017.
• “A Connection Between Henry Ossawa Tanner’s Musical Lessons and Blackface Minstrel Shows” presented at the International Conference of the European Music in the Late 18th to early 19th Centuries: Diversity and Evolution, at National Sun Yat-sen University, December 5, 2010.
• “Music and Sound Design in Mason Bates’ Rusty Air in Carolina” will be presented at 31st Conference of the Musicological Society of Australia, at The University of Melbourne, Australia, Dec., 4-7, 2008.
• “Daniel Bernard Roumain: The Fusion of HipHop – Art Music in String Quartets” presented at the “Islands”: Conference of the Australian and New Zealand Musicological Societies, at Queensland Conservatorium, Griffith University, Brisbane Australia, November 24, 2007.
• “Schnittke and the Cambiata Cyclical Motive,” presented at the 2006 Taiwan Musicology Forum, at National Sun Yat-Sen University, Kaoshiung, Taiwan, Dec. 2, 2006.
• “Sofia Gubaidulina: Binary Opposition and Unification in String Quartets” presented at 2006 International Conference on Modern Cross-Cultural Research, at National Sun Yat-Sen University, Kaoshiung, Taiwan, Oct. 21, 2006.
• “Dualism and Unification in Sofia Gubaidulina’s String Quartet No. 2,” presented at the 28th National Conference of Musicological Society of Australia, at The University of Sydney, Sydney, Sept. 29, 2005.
• “An Analytical Approach to 20thCentury Compositions: Alfred Schnittke and Sofia Gubaidulina,” presented at Melbourne University Staff and Post-Graduate Seminar, at The University of Melbourne, Melbourne, April 17, 2003.
• “A Reflection of Moment form in Gubaidulina’s String Quartet No. 3,” presented at the MSA Victorian Chapter Conference, at The University of Melbourne, Melbourne, November 16, 2002.
• “Thematic and Motivic Development in String Quartet No. 3 by Alfred Schnittke,” presented at the MSA Music Symposium, at UNSW, Sydney, August 10, 2002.
目前於中山大學大學部及研究所之授課領域包含美國音樂史、音樂美學與批判、現代音樂、西洋音樂史、音樂研究導論、西洋音樂史總論及其它。同時間透過積極於校內舉辦多場國內、外音樂學術論壇(如 2015年 台灣音樂學論壇及2020年國際音樂學術研討會)來提升學生發表的機會以及與眾多學者交流精進的經驗。
著作目錄/Publications
(一)有審查制度專書
• The Kaleidoscope of Women’s Sounds in Music of the Late 20th and Early 21st Centuries. UK: Cambridge Scholars Publishing, 2015. (ISBN: 978-1-4438-7652-0)
• Tracing the Beats: The Fusion of American Vernacular and Western Art Music. Kaohsiung, Taiwan: National Sun Yat-sen University Press, 2012. (ISBN: 978-986-86641-6-6)
(二)國外有審查制度的期刊論文
• “Vocal-Instrumental Style in Judith Lang Zaimont’s The Figure String Quartet” Musicologica Olomucensia 28 (December 2018), 82-102.
• “‘Open Form’ in Naxos Quartet No. 10 of Peter Maxwell Davies” Quadrivium. Revista de Musicologia 9 (2018), 1-13. http://avamus.org/ca/quadrivium/ (RILM)
• “Gubaidulina’s String Quartet No. 4: Recreation of Traditions in a New Musical Context” Revista Per Musi, vol. 38 (2018), 1-13. https://seer.ufmg.br/index.php/permusi/issue/archive
• “Stylistic Synthesis in Libby Larsen’s Evening in the Palace of Reason” Czech and Slovak Journal of Humanities – Musicologica 2/2017 (August 2017), 70-85.
• “Peter Maxwell Davies' Interpretation of Past Musical Practices in Naxos Quartet No. 8” Musicologica Olomucensia 24 (December 2016), 47-62. (RILM)
• “Judith Weir’s Instrumental Music as Description” Revista Per Musi, vol. 33 (Jan-Apr., 2016), 59-78. https://seer.ufmg.br/index.php/permusi/issue/archive (RILM)
• “Binary Opposition and Synthesis in Tower’s String Quartet No. 2” Opus, vol. 20, no. 1 (June, 2014), 117-136.
• “The Structural Fragmentation in Zwilich’s Millennium Fantasy” Revista Brasileira de Música, vol. 26 no. 1 (Jan-June 2013), 173-188. (RILM)
• “The Crossed Boundaries in Musical Culture between Asian and Western World” in Asian Culture(s) in the Context of Globalization. Ed. by I-Chun Wang and Li Guo. CLCWeb: Comparative Literature and Culture, 15.2 (June 2013), article 19. (AHCI)
• “Baroque-Minimalism in Adams’s Violin Concerto” Tempo 66, no. 260 (April, 2012), 23-33. (AHCI)
• “Reel Tracks: Australian Feature Film Music and Cultural Identities, ed. Rebecca Coyle” (Review) Journal of Film Music, vol.3 no.1 (2010), 79-83. (MLA)
• “A Reflection of Moment Form in Gubaidulina’s String Quartet No. 3” Theoria 11 (2004), 109-124.
(RILM)
(三)國內有審查制度的期刊論文
• “The Light Style of Peter Maxwell Davies’ Mavis in Las Vegas” Kuandu Music Journal, vol. 27 (July, 2018) 53-75. 《關渡音樂期刊》第二十七期
• “The Musical Styles in Zwilich’s Double Quartet for Strings” NCUE Journal of Humanities, vol.7 (March, 2013), 77-91. 《國立彰化師範大學文學院學報》第七期
• “The ‘Cambiata’ Motive and Cyclic Form in Schnittke’s 4th String Quartet and 3rd Piano Sonata” Sun Yat-sen Journal of Humanities 24 (Summer 2007), 25-40.《中山人文學報》第二十四期 (MLA)
(四)其他國內期刊論文
• “Sofia Gubaidulina: Dualism and Unification in String Quartet No. 2” The Shiwan Journal of Arts, vol. 5 (2009), 121-138.《西灣藝論》第五期
(五)有審查制度專書章節
• “Daniel Bernard Roumain: The Fusion of HipHop and Art Music in String Quartets” in Musical Islands. Edited by Elizabeth Mackinlay, Brydie-Leigh Bartleet and Katelyn Barney. UK: Cambridge Scholars Publishing, 2009, 327-343.
(六) 國外有審查制度百科全書
• “Indonesia,” Hip Hop Around the World: An Encyclopedia. Ed. Melissa Ursula Dawn Goldsmith and Anthony J. Fonseca. California: ABC-CLIO Greenwood, 2019, 343-345.
• “Malaysia,” Hip Hop Around the World: An Encyclopedia. Ed. Melissa Ursula Dawn Goldsmith and Anthony J. Fonseca. California: ABC-CLIO Greenwood, 2019, 444-445.
• “Taiwan,” Hip Hop Around the World: An Encyclopedia. Ed. Melissa Ursula Dawn Goldsmith and Anthony J. Fonseca. California: ABC-CLIO Greenwood, 2019, 685-686.
(七)有審查制度的學術會議論文發表
• “An Evening in the Palace of Reason with Bach and Fritz: Libby Larsen and the Royal Theme” presented at the 2017 Hawaii University International Conferences on Arts, Humanities, Social Sciences and Education, at Hawaii University, Honolulu, Hawaii, January 3, 2017.
• “A Connection Between Henry Ossawa Tanner’s Musical Lessons and Blackface Minstrel Shows” presented at the International Conference of the European Music in the Late 18th to early 19th Centuries: Diversity and Evolution, at National Sun Yat-sen University, December 5, 2010.
• “Music and Sound Design in Mason Bates’ Rusty Air in Carolina” will be presented at 31st Conference of the Musicological Society of Australia, at The University of Melbourne, Australia, Dec., 4-7, 2008.
• “Daniel Bernard Roumain: The Fusion of HipHop – Art Music in String Quartets” presented at the “Islands”: Conference of the Australian and New Zealand Musicological Societies, at Queensland Conservatorium, Griffith University, Brisbane Australia, November 24, 2007.
• “Schnittke and the Cambiata Cyclical Motive,” presented at the 2006 Taiwan Musicology Forum, at National Sun Yat-Sen University, Kaoshiung, Taiwan, Dec. 2, 2006.
• “Sofia Gubaidulina: Binary Opposition and Unification in String Quartets” presented at 2006 International Conference on Modern Cross-Cultural Research, at National Sun Yat-Sen University, Kaoshiung, Taiwan, Oct. 21, 2006.
• “Dualism and Unification in Sofia Gubaidulina’s String Quartet No. 2,” presented at the 28th National Conference of Musicological Society of Australia, at The University of Sydney, Sydney, Sept. 29, 2005.
• “An Analytical Approach to 20thCentury Compositions: Alfred Schnittke and Sofia Gubaidulina,” presented at Melbourne University Staff and Post-Graduate Seminar, at The University of Melbourne, Melbourne, April 17, 2003.
• “A Reflection of Moment form in Gubaidulina’s String Quartet No. 3,” presented at the MSA Victorian Chapter Conference, at The University of Melbourne, Melbourne, November 16, 2002.
• “Thematic and Motivic Development in String Quartet No. 3 by Alfred Schnittke,” presented at the MSA Music Symposium, at UNSW, Sydney, August 10, 2002.
